THE PROVENANCE OF OUR NAME
The first question people often ask us is about where the name of the group originated, so here is a bit of background…
It was on July 4th in 1921, that Salvatore and Madeleine DeNitto arrived in the harbor of New York City with the Statue of Liberty being the very first thing that Madeleine saw from the bow of her ship from Algeria. With her, Madeleine brought a very ill baby and a wealth of education and appreciation for the fine arts. She left Old Algiers and parents she would never see again in hopes of great opportunities in a new world. She later bore three more children who all recall her singing opera in her kitchen while baking her famous French loaves. Madeleine had left behind her native country, her beloved family and her Italian maiden name; Brasiles. It is in her honor that I lend my grandmother’s given name to a group of fine musicians for whom she would certainly have adored.
With the “Nocturnal” concert receiving such wonderful acclaim in November of 2013 at St. Philip’s Church in the Highlands, I am very happy to invite everyone to future performances from The Brasiles Ensemble. As the mission of this group is to provide audiences with unique concerts, we are thrilled to have had great success in our first year with many more opportunities underway for the future.
Pronunciation guide for Brasiles = “BRAH-zee-lez”
~Madeleine DeNitto, Founder
Meet the Performers
During her decade of performance with a professional opera company, Madeleine was on stages regularly in major productions, including such great operas as Suor Angelica, Don Pasquale and The Merry Wives of Windsor. She was also very honored to have been chosen to perform in rare works, including Riders to the Sea, as well as special opportunities to perform in honor of Queen Anne and Princess Sophie of Romania. Proficient in sacred and early music, Madeleine was also one of eight members of an elite madrigal group for several years. In late 2012, Madeleine had a role in The Beggar’s Opera performed at The Philipstown Depot Theatre, which marked her return to the music world after a ten year hiatus. For over 20 years, Madeleine has been a professional organizer and is proud owner of Garrison Concierge. She is a former member of the choir at St. Philip’s in the Highlands Episcopal Church since 2012 and is a former member of the Philipstown Garden Club. As a side project, she and Kimberly Hiss have created a new vocal duo called The Mary Powell. She and her husband, Clayton, relocated to the Hudson Valley permanently, where Madeleine has recently made the decision to return to her work in the visual arts as a multimedia artist. Her work can be found on DeNittoArt. They have two adult children; one daughter, a wife and mother for two, living in Raleigh, NC while working in corporate HR, and a son, recently married and working in DC as a U.S. trial attorney for the Department of Justice. As one of the founding members, Speare performs with The Brasiles Ensemble whenever he can spare the time. For his bio, see Speare Hodges below.
We applaud our instrumentalists!
John Drew ~ organ
By the age of ten, John Drew was the organist at his hometown Methodist church in Wisconsin. After high school, he put himself through college and law school by playing the organ. He continued playing throughout his practice of law in Wisconsin, and later during his insurance/legal career. He is now Director of Music and Parish Administrator for St. Mary’s Episcopal Church in the Highlands in Cold Spring, NY. He has also given concerts and played at other special events in Wisconsin, Indiana, Michigan, California, New York and New Jersey, as well as Bermuda and England.
Rachel Evans ~ violin / viola
Rachel Evans has been a member of the Santa Fe Opera Orchestra, Apollo’s Fire Baroque Orchestra, the contemporary music ensemble Continuum, and the Meridian Quartet. She has performed across the globe with ensembles whose repertoire spans medieval to contemporary. Recently taking part in Ars Antiqua’s acclaimed recording Francois Philodor’s “L’art de la Modulation” with Elizabeth Wallfisch, she was a principal player and recitalist at the Carmel Bach Festivalfor many years and appeared in various ensembles at the Boston, Berkeley, and Utrecht Early Music Festivals, Charles Ives Festival in Germany and the Victoria Festival in Australia with ensembles such as, the medieval ensemble Sequentia, the baroque ensembles Rebel and Pegasus, Continuum, and others. She has appeared in the ongoing NYC Cable series “The Facts”, (also online at 1687inc). As a sound and movement artist, Rachel collaborated with Elaine Colandrea in “Venus” (2009) and “On the Nature of the Body” (2012), in Rhinebeck, NY and is a member of Watermark Arts. A recipient of the Coleman Chamber Music Award, she earned B.Mus. and M.Mus. degrees at The Juilliard School of Music. She teaches locally violin, viola giving private lessons in Dutchess, Putnam, Westchester, Orange and Ulster counties.
Richard Kolb ~ lute / theorbo
Lutenist Richard Kolb has performed throughout North America and Europe as a soloist and with a wide range of Baroque ensembles, including Opera Atelier, New York City Opera, Les Musiciens du Louvre, Chicago Opera Theater, Waverly Consort, Handel & Haydn Society, Pegasus, and Concert Royal. Since completing a Ph.D. in musicology at Case-Western Reserve University in 2010, Kolb has combined his career as a performer with scholarly research and publishing in the field of 17th-century music. He is nearing completion of the first modern edition of the complete works of the 17th-century Italian composer Barbara Strozzi, the fifth volume of which has recently been published by Cor Donato Editions. This past summer he recorded a solo CD of the music of Robert Ballard, which is scheduled to be released in early 2018. Kolb is Scholar in Residence for the NY Continuo Collective, and has held teaching positions at the University of Toronto, the Royal Conservatory of Music (Toronto), and Case-Western Reserve University.
Michael Shane Wittenburg ~ piano / organ / violin
Hailed as a “real virtuoso” by the late Ruth Laredo, pianist and conductor Michael Shane Wittenburg made his professional opera conducting debut with Amore Opera’s recent production of Faust and has served with multiple opera companies including in Nashville, Orlando and Sarasota. As an Assistant Professor of music at Lee University, he was Music Director of both the Chamber Orchestra and Opera Theatre. He has made solo appearances as pianist with the Louisiana Philharmonic Orchestra, The Chattanooga Symphony and Opera, the World Youth Symphony Orchestra, the Eastman Wind Ensemble and the Ocala Symphony as both pianist and conductor. He has also appeared in collaborative recital with such artists as Metropolitan Opera soprano Stell Zambalist and concert violinist Livia Sohn.